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==THE | ==THE CINEMANCY (english version)== | ||
Cinemancy (or cine-divination) is a theory over cinema and societies. The term cinemancy, is a neologism who come from, kiné, the movement, and mantic, (the greek term, mantiké,) divination. However, cinemantic is not an esoteric discipline, because it outcome exclusively from the image of a film. It will allow us to disclose some new epistemology. Very early, we observed that this research have a large site. Thus, the present thesis is only a sketch that we don't want to interrupt. | |||
This sketch is dividing in three volumes. The first two volumes privileged the poetic cinema of Andreï Tarkovski (1932-1986) for different reasons : care, invention and choice of peculiar subjects and objects ; simple and sober presentation of a complex emotion ; a remarkable cinematographic techniques ; and a vision of an art who is oriented deeply in contemporary human preoccupation. Etc. The third volume, at last, is a project of a cinemantic dictionary, in which we approach other filmmaker like Bergman I., Bresson R., Buñuel L., Bertolucci B., etc. | This sketch is dividing in three volumes. The first two volumes privileged the poetic cinema of Andreï Tarkovski (1932-1986) for different reasons : care, invention and choice of peculiar subjects and objects ; simple and sober presentation of a complex emotion ; a remarkable cinematographic techniques ; and a vision of an art who is oriented deeply in contemporary human preoccupation. Etc. The third volume, at last, is a project of a cinemantic dictionary, in which we approach other filmmaker like Bergman I., Bresson R., Buñuel L., Bertolucci B., etc. | ||